Where is stoker set

So when I step onto the set the next day I am genuinely surprised by what I find. The Stoker House and its attendant grounds are stately, but not overtly menacing. I also found it to be precise, perhaps a step more grounded than precious.

Which is to say that, in many ways, the world I found there resembled something Wes Anderson might create if his heightened whimsy was taken down a notch and infused with a foreboding, creeping horror. Myself and my fellow journalists are given a tour of the house. If anything, its interior evokes a highly color coordinated southern gothic aesthetic — more New Orleans than Nashville.

And while the story might take place in the modern day, the house itself is timeless. None of the appliances are modern. A desk weighted by almost regal office supplies. Oh, and lots and lots of animals of the taxidermic variety. The house is also littered with clues that only really take root with me once I see the film over a year later. After stepping back outside we are introduced to Mia Wasikoswka.

She shows us a spot on her toe that had been occupied by a large fake blister. But we do see a few sequences being filmed, the first of which involves three key set-ups and the child incarnations of Richard and Charlie Stoker portrayed by Tyler von Tagen and Thomas A.

Covert, respectively. In the first set-up, young Charlie Stoker is playing on a home-made playground on the grounds of the estate. Charlie is still on the playground, but this time the camera cranes upward and rotates as he repeatedly raises and lowers his arms and outstretches his legs in the same syncopated manner — like making a snow angel in the sand. Not coincidentally, we see India making this exact same movement on her bed in the film.

Richard Stoker still played by young Tagen is dutifully mowing the lawn. The camera moves smoothly across the lawn as Richard operates the mower until something catches his eye. He abandons the device — which continues to move along on its own — and runs, panicked, to the playground.

Not Director Park. India is simply toxic and contrary with little explanation until the end, at which point she defies her own cunning nature and selects, in lieu of more interesting, profitable, and clever options, an irrational, self-destructive course of action.

Even so, Stoker is still pretty good. It's a satisfying change of pace from the patronizingly conventional and downright silly horror releases lately issuing from Tinseltown like effluent from a landfill, and most Gothic thriller fans will want to see it. South Korean director Chan-wook Park is best known to fans of the weird for his bizarre, gory cult movies such as Oldboy from The Vengeance Trilogy. With Stoker, he makes his mainstream, US debut.

To do so requires that he "sell-out" a little to the conventions of Hollywood marketing, and I suspect this is why he didn't tamper with co-producer, Wentworth Miller's script, even though its deficiencies beg to be tweaked.

Stoker more or less works for non-discriminating audiences who can be dazzled by a bit of flash without being driven to look deeper. Park's penchant for the absurd and the gory is still subtly evident. Importantly, Stoker demonstrates Park's trustworthiness to competently direct conventional cinema. With Nicole Kidman on board, and an appeal to the current Twilight-style popular trend, Stoker will, we hope, allow the director to establish himself on the big-budget launching pad from which we anticipate more intriguing work to soar off in the future.

Details Edit. Release date March 1, United Kingdom. United Kingdom United States. Official Facebook Official site. English French Italian. Lazos perversos. Murfreesboro, Tennessee, USA. Box office Edit. Technical specs Edit. Runtime 1 hour 39 minutes.

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Other times, you wish he had a friend in the editing room to ask, "Do we really need this guitar solo right here? Mostly, though, he is spot on, creating unbearable tension, sexual and otherwise, as Uncle Charlie smoothly inserts himself into the family dynamic.

India's cold and distant mother, Evie Nicole Kidman , warms up in Charlie's presence, even though she should know better. Jacki Weaver shows up as Charlie's aunt, who seems to want to warn India about Charlie's true nature but is scared to do much more than breathe in his presence. Weaver's character and her questionable actions represent some of the rare missteps in a script by actor Wentworth Miller of "Prison Break.

As Charlie seduces mom and daughter with very different approaches, we're not sure if India is a damaged, exploited young woman, or if she's been waiting her whole life for Uncle Charlie to show up and validate her pitch-black soul.

Maybe it's both. As is almost always the case with stories such as this, the horny guy with a crush doesn't know when to stop, the cops are slow on the uptake, and the neighbors are invisible no matter what's happening inside the house. What sets "Stoker" apart are the exquisitely grotesque bursts of death, which usually occur only after an effectively maddening series of tension-building scenes. Kidman, at least partially free of the constraints of whatever modern medical face-freezing tricks she's been employing to stave off the natural aging process, is wonderful playing a character who could have been written by Tennessee Williams.

To get the point across, DePrez makes expert use of linear details that resemble jail bars. When asked what time period they were going for, DePrez responded that their goal was to make the film feel timeless. Their ambition paid off in spades, as the exquisite sets are indeed stunning, but I honestly could not pinpoint a specific time period that would fit. DePrez took us up a spiral staircase to show us the bedrooms of the two leads. Every single wall is covered in a darker tone of red, and asymmetry is the theme here.

The room was almost overwhelming at first. When we first arrived onset, we were taken to the monitors directly beside Chan-wook as he was overseeing the filming of a flashback sequence. Apparently us journalists were originally supposed to come to set while a scene featuring one of the leads was being filmed, but scheduling shifts meant that we arrived while a crucial, highly spoilery sequence was on tap.